PUBLICATIONS
BOOKS
Select Book Chapters
Journal Articles
Co-edited (with Michael Kho Lim), Sine ni Lav Diaz: Evolution of a Filipino Auteur, Intellect & University of Chicago Press (2021).
Co-edited (with Vikrant Kishore & Amit Sarwal), Salaam Bollywood: Representations and Interpretations, Oxford and New York: Routledge, 2016.
Co-edited (with Vikrant Kishore & Amit Sarwal), Bollywood and Its Other(s): Towards New Configurations, Basingstoke: Palgrave Macmillan, 2014.
‘The Non-Populist Popular and
the Cinematic Apocrypha’, in Prasanta
Chakravarty (ed.), Populism and Its Limits:
After Articulation, New Delhi: Bloomsbury,
231-48.
'Jesus, Magdalene, and the
Filipino Judas: Lav Diaz and His ‘Artless
Epics’’, in Parichay Patra & Michael Kho Lim
(eds.), Sine ni Lav Diaz: A Long Take on the
Filipino Auteur,
Intellect/University of Chicago Press, 130-45.
'The Way Cinema was Banished: The Intervention of Cinema Studies in India.' In Salaam Bollywood: Representations and Interpretations, eds. Vikrant Kishore, Amit Sarwal and Parichay Patra (Routledge, 2016)
'Bombay Cinema’s Aesthetic Other: Hindi Shastriya Cinema in Retrospect' In Bollywood and Its Other(s): Towards New Configurations, eds. Vikrant Kishore, Amit Sarwal and Parichay Patra (Palgrave Macmillan, 2014)
‘1968 and Global Cinema’,
Transnational Screens, Vol. 12, Issue 1, (2021),
95-97.
'Beyond the Metanarratives of Indian Cinema: Review of Priya Jaikumar’s Where Histories Reside: India as Filmed Space', forthcoming in Discourse: Journal for Theoretical Studies in Media and Culture
'Memorias de la revolución: Historia, Cine y lo Contemporáneo' Cine Documental 19 (2019), pp. 116-27, in Spanish.
“A Tale of Two Festivals: International Film Festival of India and Experimenta.” Senses of Cinema 86 (March 2018).
“In Defence of A River Called Titas.” Senses of Cinema 82 (March 2017)
'Confused Auteurism: What has Adoor Gopalakrishnan got to do with it?' Synoptique 4.2 (Winter 2016): 158-65.
'Politics as Performance: An Ambitious Exploration of Cine-Politics in Andhra Pradesh' Synoptique 3.1 (Spring 2014): 160-66.
'Spectres of the New Wave: The State of the Work of Mourning, and the New Cinema Aesthetic in a Regional Industry.'Journal of the Moving Image 10 (2011).